When future anthropologists study America in the 21st century and its rapid decline, they will no doubt better understand its code of values (or lack thereof) by examining the symbols and ideas that captured the spirit of the time – the things that we held dear.
In every generation, there are icons that sum up its core values – not official ones, but symbols that really mean something to people: Rosie the Riveter, the American flag, Elvis Presley, the motorcycle jacket, the defeatist “peace sign” and now the tyrannical “Coexist” bumper sticker. There are symbols that sum up the zeitgeist of a time, a generation.
The popular emoticon found on phones today, of a happily smiling pile of excrement, is just that. It best exemplifies the low state of the world, of the culture, and of America itself in the age of the primitive. It signifies America’s rapid decay in the wake of the left’s decades-long war on Americanism, freedom and individual rights. The absence of morality – and by morality, I mean a code of values – has led to an absence of the good. And an abundance of poo.
Ayn Rand wrote that a nation’s culture is the sum of the intellectual achievements of individual men, which their fellow citizens have accepted in whole or in part, and which have influenced the nation’s way of life. What’s the sum of America’s influence and philosophy? Poo.
Post-9/11 America, and especially America in the Obama presidency, is a different world from America as she was before Obama, and before the left started its long march to destroy this nation. America today is increasingly anti-freedom, anti-truth, anti-ideas, anti-capitalism – anti-reason. A nation built on a morality of reason has all but abandoned its foundational principles. Public schools and academia produce zombies – goose-steppers like the Hitler Youth – who are militant and violent in their imposition of the leftist/Islamic agenda. And when they do it, they congratulate themselves about how they have stood up against “fascism” and “intolerance,” when the intolerant fascists are they themselves. Intellectually, young Americans are the most docile conformists, no matter how vocally and self-righteously they declare themselves free. They have accepted as dogma all the philosophical beliefs of their elders of the hard left without question or exploration. A continuing negation of their philosophy of life (or lack thereof) and self.
The culture is ugly. Ugly as poo. The music is ugly, violent and misogynistic. Every crime drama and suspense series is rife with the most unimaginable gore. “Game of Thrones,” “Law and Order (Sex Crimes),” “American Horror Story” – they’re all devoid of humanity and morality. Devoid of goodness. It’s a cultural rout. It’s not that the line between good and evil has been blurred – it’s nonexistent. We are living in a cultural free-for-all, or more accurately, a free fall.
I was watching a movie not long ago, a dated ’50s musical short on Turner Classic Movies. Something silly with the rock-and-roll impresario Alan Freed. It was bursting with life. The kids in the room wanted me to put on something gory, negative, dark and I said, no, no, watch this, this is great stuff – this is America. And one of the teens replied, no it’s not; that’s from when America was happy. And that struck me, hit me like a ton of bricks. The left has worked so hard to make us miserable, and it has succeeded.
Pain, blame, victimhood are the ideals. When Pharrell performed his confection of a tune “Happy” at the Grammys, he was compelled to turn it into a dirge. A bright, happy, sparkling little jewel of a tune was accompanied by ugly political rhetoric and costume, #handsup, hoodies, and a porter/bellman costume for Pharrell.
“Happiness is a state of non-contradictory joy – a joy without penalty or guilt, a joy that does not clash with any of your values and does not work for your own destruction, not the joy of escaping from your mind, but of using your mind’s fullest power, not the joy of faking reality, but of achieving values that are real, not the joy of a drunkard, but of a producer. Happiness is possible only to a rational man, the man who desires nothing but rational goals, seeks nothing but rational values and finds his joy in nothing but rational actions.” That’s from John Galt’s speech in “Atlas Shrugged.” Has America ever been farther from that ideal?
What better icon is there for such a culture of terror than a pile of dung with a smiley face? It’s not just on phones; it’s on jewelry and shoes at Bloomingdales and Bergdorf Goodman. A ring featuring this image goes for $500, shoes for $340. It’s beloved.
A culture that would love such a thing is incapable of true humanity and love. Hollywood is incapable of writing or producing a “Casablanca.” It can’t even write a decent adult romance. Porn, there’s plenty of. Love? Not so much if at all. There are no adults anymore – just petulant children who know nothing but to scream that they know everything and to heap contempt on anyone who doesn’t subscribe to their liberal fascism. Logic and facts are scorned and derided; myths (global warning, “Islamophobia”) and feelings are held up as fact and science.
If you had to boil the culture down to its essential oils, it would be the recent Oscars – oh, how that once mighty American art genre has fallen.
American traitor Edward Snowden got an Oscar; American hero Chris Kyle got the middle finger. Even the traitorous far-left journalist Glenn Greenwald got an Oscars shout-out. Of course Hollywood would reward vicious traitors. There was no way the Hollywood establishment was going to give an Oscar to Clint Eastwood after he so delightfully skewered Obama’s empty chair. And their disdain for Americanism and the military is infused in everything they churn out.
Sharing their disdain for America is Jon Stewart, to whom they should have given the “Most Disgusting Jew on the Planet Award.” No contest. After Israeli Prime Minister Benjamin Netanyahu’s ground-breaking speech to Congress last week, Stewart scoffed at the many standing ovations Netanyahu received as the “longest bl-wjob a Jewish man has ever received.”
This vicious traitor, smug and self-righteous, has long been working for the other side under the guise of comedy. Vile. Jon Stewart defines self-loathing Jew. But that’s not enough. He means to take us down with him.
He is leaving Comedy Central, thankfully. But don’t get too happy; they’ll turn the show over to another leftist radical. When does Dennis Miller or someone like that get an HBO or Comedy Central gig? The cultural landscape is under siege by these killers.
And what’s next for Stewart? Politics, I fear.
As if Israel didn’t have enough problems …
Ayn Rand said, “There are two aspects of man’s existence which are the special province and expression of his sense of life: love and art.” Both of which have all but been extinguished in the era of amoralism – reflected in cultural rot and the exaltation of the crank.
This is where we are now. In the poo generation.
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