Due to overwhelming demand, the vividly accurate, cutting-edge film about one of the most shockingly misunderstood wars in American history has extended its limited showings for another week – through June 11 – in Texas, Arizona and California.
“People want to see the truth,” said Richard Botkin, executive producer of “Ride the Thunder. “They want to see a pro-American film that honors the heroes and exposes the bad guys. And yes, America is exceptional.”
The film’s Houston premiere recently crushed the big Hollywood movies at the box office. Show after show after show was sold out.
And so many tickets were sold at the Phoenix, Arizona, showing that the film was moved to the largest theater in the IMAX complex, where it proceeded to outperform almost all big studio movies.
“Ride the Thunder” is the true, heroic story of a friendship between U.S. Marine legend John Ripley and South Vietnamese Marine commander Le Ba Binh. The storyline follows their fight together against the communists during the Vietnam War and the ensuing aftermath of the fall of Vietnam as Ripley returns home to a divided America and Binh is imprisoned in a communist re-education camp.
Now the following locations have extended their showings until June 11:
Also, showings are scheduled for Las Vegas, Nevada, from June 5 through June 11.
As WND reported, the film took Westminster, California, by storm when it premiered from March 27 to April 2, selling $32,000 in tickets in just three days during its limited release at a single movie theater. The film soared to No. 1 in the nation for box office revenue from March 27-29 on a per-theater basis.
“I’ve been waiting 40 years for this film!” was a common refrain among hundreds of Vietnam War veterans and the South Vietnamese Americans – most with tears streaming down their faces – who gathered to witness their powerful story finally making it onto the big screen.
Filmmakers encourage Americans to contact veterans, family and friends to spread the word about the film and share the website. They’ve also provided a way for WND readers to request a showing in their area.
“It’s exciting to see the movie expanding across the United States, but we know that as an independent film we have challenges ahead in promoting to a wide national audience on a limited marketing budget,” said “Ride the Thunder” Director Fred Koster. “It is simple: People will only come to see our film if they know about it.”
As WND reported, some South Vietnamese attendees at the Westminster premiere recalled their own heart-wrenching memories of more than a decade of starvation and torture in prison camps after they fought to keep their country free of communism. Separated from their wives and children, they saw friends and loved ones brutally murdered by North Vietnamese guards during their communist “re-education.”
And 40 years after the fall of Saigon and the end of the Vietnam War, U.S. Marine and Army veterans remembered harrowing fire fights alongside their South Vietnamese brothers in arms – and their return to a nation that turned its back on its own freedom fighters.
But the momentous event wasn’t about re-opening old wounds.
Instead, it was a heartfelt celebration of brotherhood, a long overdue welcome home and a chance to finally tell the remarkable story of unparalleled sacrifice that most Americans have never heard.
“The film record of the Vietnam War is what will determine history 10, 20, 50 years from now when all the Vietnam veterans are gone,” Botkin told WND at the red-carpet event.
Watch the trailer for the film:
Many popular films dealing with Vietnam – such as “Apocalypse Now,” “The Deer Hunter,” “Platoon,” “Good Morning, Vietnam,” “Rambo” and “Full Metal Jacket” – serve as great entertainment, Botkin said, but they grossly distort the reality of the warriors who fought courageously to stop the spread of communism.
“Those films portray our troops as victims, as dupes,” he said. “It marginalizes them, shows them very unfavorably and the leadership unfavorably. It shows our Vietnamese allies as even worse. Our film is an effort to begin to turn the tide against that so that, in the future, people will realize that America was right to fight in Vietnam, to stop communism, and that our South Vietnamese allies were worthy of our sacrifice and that they fought well also.”
Koster told WND: “I believe, as many others, that our problems in America today have their roots in the Vietnam War era. It was a time when self-serving opportunists realized that they could spout outright lies and never be questioned or challenged on it. It was the beginning of the end of the checks and balances that the media should be providing to the people of America.”
The main character of the film is South Vietnamese Marine commander Le Ba Binh, who was a prime example of enduring courage in a battle of David and Goliath proportions as his battalion of only 700 men held 20,000 communist invaders in Dong Ha.
Binh, a man with few equals in the war-fighting profession, served 13 years in heavy combat (1962-1975) and another 11 years in communist prison camps. Despite numerous battle wounds and lost comrades, he showed unwavering courage in the face of extreme hardship.
“Americans, when they went to Vietnam, if they were a Marine, they went 13 months for one tour. If they were in the Army, 12 months. Some men went two or three times, but very few,” Botkin explained.
“The Vietnamese generally had one tour that ended with death or dismemberment, so they fought forever. My main character, Binh, fought forever – 13 years, wounded nine times. At the end of the war, the communists put him in prison – they called it euphemistically ‘re-education camp’ – for 11 years. He comes to the U.S. because he’ll never get ahead in Vietnam. He comes to the U.S. with nothing and prospers. That’s the Vietnamese story in America – suffering, hardship, come to America, work hard and succeed. It’s a great story.”
Botkin traveled to Vietnam seven times to do research for the film and the WND book that inspired it, “Ride the Thunder: A Vietnam War Story of Honor and Triumph.” He and Binh visited Saigon and toured battlefields where the South Vietnamese Marines and their American advisers had fought so valiantly.
“Ride the Thunder” Executive Director Richard Botkin at the premiere of the film:
The film cast includes many Vietnamese “boat people,” refugees who came to America’s shores on overcrowded boats. They endured violent storms and even vicious attacks by pirates. An estimated 250,000 refugees died at sea in their unwavering pursuit of freedom.
“No one dies breaking in to communist countries,” Botkin said. “They all die breaking out. These people broke out. They were the risk takers. Those are the people who came to the United States. We got the best of the best. The risk takers came here, and that’s why they’ve done so well.”
Botkin’s name was on the lips of most veterans and Vietnamese-Americans attending the Westminster premiere, all of whom said they were profoundly grateful that he and Koster endeavored for so many years to finally bring the untold story to the big screen.
One Vietnamese couple, Kim Ly and Thomas Ly, was filled with emotion after seeing the film.
With tears welling in her eyes, Kim told WND: “There were a lot of memories. We cried so much when we were watching that movie.”
Thomas said his brother, an Army of the Republic of Vietnam general who was famous for his leadership at the Battle of An Loc in 1972, is his “first hero.”
“But Richard Botkin, he’s my second hero,” Thomas said. “When I watch this film, I am so proud.”
See the emotional reactions to the “Ride the Thunder” film:
WND also interviewed Col. Gerry Turley, member of an all-star American team of advisers who found the moral courage to persevere when he was forced into one of the highest positions of leadership in the midst of a brutal and bloody confrontation.
Turley, whose real-life story is told in the book, admired Binh’s determination and sacrifice.
“I think that Col. Binh was illustrative of all of those other Vietnamese officers who served their country,” he said. “He really laid his life on the line so many times. Then he became a prisoner. All he had to do was say, ‘I accept communism.'”
Another leading character in the book and film is the late U.S. Marine Capt. John Ripley, who showed exceptional physical strength and courage when he took on the superhuman task of detonating a steel bridge at Dong Ha on Easter Sunday, 1972 – before the enemy could cross with its tanks and 20,000 invaders.
Ripley had not slept or eaten a solid meal in four days when he shimmied up and down the I-beams of the bridge for nearly four hours, rigging them for detonation. His legs dangled like moving targets, inviting enemy fire from snipers and North Vietnamese tanks. While most people might never have dared attempt the monstrous feat, Ripley never backed down, purchasing critical time for allied forces.
Hollywood actor Eric St. John played the part of Ripley in the film. He said he drew all of his inspiration and insight on Ripley’s character from the WND book, “Ride the Thunder.”
“It was a tremendous honor to play this great man. There’s a responsibility when you play such a great person, a historical figure,” he told WND. “There’s an abundance of great material about him, his life, his family, what he did in the war. It makes the job easier as an actor when you have a book with such rich details about this person’s life. Usually you’re using your imagination and also your life experiences, but … it was great to have that book to go to and get all those details. I hope I did him justice.”
Capt. Ed McCourt, who served in Vietnam in the 3rd Battalion, 3rd Marines, knew Ripley personally. McCourt, who grew emotional when recalling his time in Vietnam, told WND the film accurately depicted Ripley, the war heroes and the reality of the battles they fought.
“John Ripley was a real Christian type of individual,” he said. “Fidelity was number 1 on his list. He was a super individual, inside and out. … His troops would follow him to hell and back just because he asked them to go. That’s the kind of leader he was. … When his company would go out, he was like a [North Vietnamese Army] magnet. Every time they’d go out, they’d get in a fire fight.”
McCourt said his Marines liked to go with Ripley on patrol because “we knew we’d get into something and not just walk around for six or seven days.”
McCourt lamented that the U.S. military is still enforcing the same rules of engagement he says handicapped the warriors in Vietnam.
“We’ve got the same thing happening right now,” he said. “We send Marines, soldiers, airmen, Navy SEALs and whatever to combat, but we’ve got rules of engagement that will not let them win. This is ridiculous. We didn’t learn anything in Vietnam when it comes to that.”
Asked how he felt about the film as a whole, McCourt said: “I’ll tell you, it brought me closure. … I thought it was fantastic. … I think the president should see this movie.”
Nationally syndicated talk-radio host Hugh Hewitt said he “loved” the documentary film. He attended the premiere and saw the movie twice – once with a primarily Vietnamese-American crowd and a second time with a crowd of American veterans.
“The Vietnamese audience reaction was significantly different from the American veterans,” Hewitt told WND. “The American veterans were moved and touched by the story of their compatriots. The Vietnamese were, in part, angry and very chatty about what they were seeing because many of them had survived the re-education camps before they got to the United States.”
Hewitt predicted that the film will “play very well across the United States” and the word will get out “Dinesh D’Souza style.”
“It accomplished its ends. It was very sober. It’s not propagandistic. It’s just a telling of a story that needs to be told,” Hewitt said. “[T]hey allow the film to tell the story about the people who were against the war and the propaganda they created for the enemy and the fact that they need to apologize. It really creates a moral obligation on the part of people like Jane Fonda and John Kerry and Donald Sutherland to step up and say, ‘I’m sorry. I was wrong.'”
WND asked Hewitt: What was the most significant lesson you learned from this film?
“Don’t give up the fight for history,” he said. “It’s never over.”