Dylan Mulvaney, described by PJ Media as a “notorious man-child who pretends to be a girl,” is fresh off a disastrous promotion deal with Bud Light.
The company’s involvement with him already had taken $10 billion off the market cap of the corporation, removed Bud Light from its longtime position as the best-selling American beer and triggered multiple boycotts of owner Anheuser-Busch.
So now he’s taken to giving speeches of leftist college campuses, where his ideologies likely would be embraced.
But his address to Penn State recently “was a bigger bust than ‘The Marvels’ because the auditorium it took place in was at least half empty,” PJ Media confirmed.
Large number of empty seats for Dylan Mulvaney’s speech at Penn State pic.twitter.com/8RqVjd8hm9
— YAF (@yaf) December 6, 2023
An image of the event from Young America’s Foundation supported that description.
The report noted that the tickets for the event were free, and the Daily Mail documented how he talked about his “struggles and dreams” to a “small crowd.”
He emphasized his “passion for theater” and upcoming “one-woman (sic) show.”
The report explained, “According to the invitation for the event, students were required to RSVP for the event would be put on a waitlist if tickets were sold out. ‘Students should remain on this Waitlist in the chance that they are bumped to the RSVP list,’ the invitation explained. ‘If a student is still on the Waitlist at the time of the event, they will be directed to the standby line and will not be guaranteed entry to the event. Once all present ticketed attendees are granted entry, individuals in the standby line will be let in as capacity allows.'”
But PJ Media noted that those with the “bright idea” of paying Mulvaney to talk were grossly wrong in estimating the interest “in hearing him blather about clothes and pretending to be a girl.”
He also announced his “next musical theater dream is to do a production with a lot of trans people on stage.”
IMPORTANT NOTE TO WND READERS: Shortly after Hamas terrorists fired over 5,000 rockets from Gaza into Israel on Oct. 7 and then proceeded to attack the Jewish state by land, sea and air – torturing, burning, beheading and murdering well over a thousand people, including women, children and infants, and wounding and abducting hundreds more – world reaction was, in its own way, almost equally shocking.
For after the biggest one-day mass slaughter of Jews since the Nazi Holocaust, what followed was an outpouring of celebratory demonstrations, unbridled Jew-hatred, deliriously gleeful support for Hamas and bitter condemnation of the nation of Israel. Not just in the Arab-Muslim world, but throughout the Western world as well, including all across America.
Why? What is behind the explosion of anti-Israel, anti-Jewish, pro-terror sentiment in the United States, where Israel has long been one of America’s closest friends and allies? Why are hordes of young “woke” LGBT demonstrators marching in support of Hamas – when Hamas wouldn’t think twice about binding and blindfolding them and throwing them off the roof of a tall building – as they routinely do in the Muslim world?
It turns out there’s one area of agreement that is so powerful, deep-seated and all-consuming that the vast differences between the deranged left and the murderous jihadists melt away into Kumbaya harmony.
All of this and much more is completely exposed in November’s issue of WND’s critically acclaimed monthly Whistleblower magazine, titled ISRAEL VS. GLOBAL JIHAD: How Jew-hatred, radical Islam and Leftism are pushing us toward World War III. Beyond a deeply insightful dive into why leftists are surging toward radical Islam – which hates and dreams of raping and butchering them – this Whistleblower issue includes fantastic articles by everyone from top Israeli analyst (and former Israel Defense Forces officer) Caroline Glick to Harvest Christian Fellowship’s Pastor Greg Laurie on the current war in Israel and biblical prophecies regarding the End Times … which he says are now upon us.
WHISTLEBLOWER is available in both the popular print edition and a state-of-the-art digital version, either single issues or discounted annual subscriptions.
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